Birds Stop Singing
PESHAWAR: The rapidly growing Taliban’s influence in Pakistan’s North West Frontier Province (Pakhtunkhwa) has left its singers and musicians with few choices--Either to quit singing or to face the wrath of different Taliban groups.
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The strict Wahabi cult of Islam, that Pakistani Taliban want to enforce in Pakistan tribal areas and settled districts of Pakhtunkhwa (NWFP) has no place for musical expressions. Instead Jihadi hymns and CDs showing “Taliban justice”, are flooding the markets in different parts of North West Pakistan.
Every Taliban group has its own production house with production staff who hire or motivate youth with sweet throats to sing Jihadi hymns and then release the albums in thousands. On the one hand these Jihadi hymns incite youth to wage Jihad against “infidels”, and bring more and more recruits to Taliban folds on the other it earns sufficient revenues for the Jihadi organizations.
“One CD of Jihadi hymns is sold in Rs.25-50. People from rural areas take much interest in listening to these Jihadi songs”, Akbar Khan Afiridi, 28, who deals in Jihadi cassettes in Karkhano Market of Peshawar city told Freemuse.
He mainatained that almost all music records in his shop were replaced by Jihadi cassettes.
“If they (Taliban) bomb us for doing music business and the government is not able to provide us protection, then I have no choice but to sell Jihadi products. After all I have to earn bread for my family”, Afiridi explained.
Media reports have confirmed that Taliban threats are forcing a large number of musicians and singers to migrate to other places. Those who could not afford relocation to other cities publically announced that they had quit the “un-islamic business” of singing and now onward would strictly abide by the rules of Islamic Shariah.
Some of the singers even published advertisments showing their repentence for singing in the past, in local newspapers to prove themselves as pious muslims and to avoid attacks on their lives and property.
“This is a major shift in Pashtuns’ cultural behaviour. People are switching over to Jihadi hymns from their sweet folk songs and musical beats. Taliban fear has dominated minds. This is very dangerous phenomenon because this will develop agression, intolerence and voilence in our coming generations”, argues Usman Ulasyar, president of Swat Arts and Cultural Society.
Following the foot steps of their predecessors in Afghanistan, Pakistani Taliban launched their movement for the enforcement of Shariah with attacks on Music shops and banning music in public places. Hundreds of music shops were bombed and destroyed in Swat, Charsada, Mardan, Peshawar, Dir, Kohat and adjoining tribal areas.
The 2nd phase of Taliban campiagn against music and all forms of entertaintment is marked with threatening text messages and telephone calls to a number of popular singers.
Haroon Bacha, a renowned Pashto singer has to take asylum in the United States when local militants theatened him with serious consequences for singing. Haroon Bacha is not only a very creative singer and innovator in the field of Pashto music he also possess an M.Phil Degree in Social Work from the University of Peshawar.
“The raging conflicts in my region coupled with Taliban hostility to music and all forms of liberal expressions forced me to leave my homeland and take asylum in the United States”, Haroon stated in an email message.
Gulzar Alam, another popular Pashtun singer had to shift his family to Quetta (Balochistan) and then worked as a Taxi driver in Karachi, when the religious government of Mutahida Majlas-e-Amal (MMA) imposed ban on music in public in 2002.
Gulzar Alam recounts that during MMA government he was harrassed, tortured and arrested by Police and supporters of the government attacked his office in Dabgari Bazar of Peshawar city.
When Awami National Party (ANP) took power in Pakhtunkhwa in Febraury 2008 general elections, Gulzar returned to his home in Peshawar. But this time again he has to confront a more serious threats not from the government but from different Taliban groups operative in the tribal areas and the Frontier province.
As the attacks on music shops were in full swing he could not gather strength to persue his music career, this time he tried his fortune in real estate business, but that too proved a total failure. Gulzar has to face very hard times.
Last month when Gulzar Alam escaped an attempt on his life. He told reporters in Peshawar that he was returning home after dropping his children at their school gate on Warsak road two unidentified militants opened fire on him.
Alam demanded of the government, Non-governmental organizations and Human rights bodies to provide protection to him and his family members.
“I am not feeling safe here”, he told freemuse.
The intensified campiagn against music, girls education and the prevailing sense of insecurity in Peshawar and its surrounding districts has not spared even hundreds of those Afghan singers and musicians who fled their country 1980s and took refuge in Pakistan. The famouse music building on the University road is now presenting a deserted look.
“Yes we fled Kabul for Peshawar, but now the situation here is more discouraging. Our business is on the decline and we feel more insecure in Peshawar than Kabul”, Says Shir Agha, an Afghan Rabab player who lived in Peshawar for 20 years but now plans to travel back to Afghanistan
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بېرته شاته
The strict Wahabi cult of Islam, that Pakistani Taliban want to enforce in Pakistan tribal areas and settled districts of Pakhtunkhwa (NWFP) has no place for musical expressions. Instead Jihadi hymns and CDs showing “Taliban justice”, are flooding the markets in different parts of North West Pakistan.
Every Taliban group has its own production house with production staff who hire or motivate youth with sweet throats to sing Jihadi hymns and then release the albums in thousands. On the one hand these Jihadi hymns incite youth to wage Jihad against “infidels”, and bring more and more recruits to Taliban folds on the other it earns sufficient revenues for the Jihadi organizations.
“One CD of Jihadi hymns is sold in Rs.25-50. People from rural areas take much interest in listening to these Jihadi songs”, Akbar Khan Afiridi, 28, who deals in Jihadi cassettes in Karkhano Market of Peshawar city told Freemuse.
He mainatained that almost all music records in his shop were replaced by Jihadi cassettes.
“If they (Taliban) bomb us for doing music business and the government is not able to provide us protection, then I have no choice but to sell Jihadi products. After all I have to earn bread for my family”, Afiridi explained.
Media reports have confirmed that Taliban threats are forcing a large number of musicians and singers to migrate to other places. Those who could not afford relocation to other cities publically announced that they had quit the “un-islamic business” of singing and now onward would strictly abide by the rules of Islamic Shariah.
Some of the singers even published advertisments showing their repentence for singing in the past, in local newspapers to prove themselves as pious muslims and to avoid attacks on their lives and property.
“This is a major shift in Pashtuns’ cultural behaviour. People are switching over to Jihadi hymns from their sweet folk songs and musical beats. Taliban fear has dominated minds. This is very dangerous phenomenon because this will develop agression, intolerence and voilence in our coming generations”, argues Usman Ulasyar, president of Swat Arts and Cultural Society.
Following the foot steps of their predecessors in Afghanistan, Pakistani Taliban launched their movement for the enforcement of Shariah with attacks on Music shops and banning music in public places. Hundreds of music shops were bombed and destroyed in Swat, Charsada, Mardan, Peshawar, Dir, Kohat and adjoining tribal areas.
The 2nd phase of Taliban campiagn against music and all forms of entertaintment is marked with threatening text messages and telephone calls to a number of popular singers.
Haroon Bacha, a renowned Pashto singer has to take asylum in the United States when local militants theatened him with serious consequences for singing. Haroon Bacha is not only a very creative singer and innovator in the field of Pashto music he also possess an M.Phil Degree in Social Work from the University of Peshawar.
“The raging conflicts in my region coupled with Taliban hostility to music and all forms of liberal expressions forced me to leave my homeland and take asylum in the United States”, Haroon stated in an email message.
Gulzar Alam, another popular Pashtun singer had to shift his family to Quetta (Balochistan) and then worked as a Taxi driver in Karachi, when the religious government of Mutahida Majlas-e-Amal (MMA) imposed ban on music in public in 2002.
Gulzar Alam recounts that during MMA government he was harrassed, tortured and arrested by Police and supporters of the government attacked his office in Dabgari Bazar of Peshawar city.
When Awami National Party (ANP) took power in Pakhtunkhwa in Febraury 2008 general elections, Gulzar returned to his home in Peshawar. But this time again he has to confront a more serious threats not from the government but from different Taliban groups operative in the tribal areas and the Frontier province.
As the attacks on music shops were in full swing he could not gather strength to persue his music career, this time he tried his fortune in real estate business, but that too proved a total failure. Gulzar has to face very hard times.
Last month when Gulzar Alam escaped an attempt on his life. He told reporters in Peshawar that he was returning home after dropping his children at their school gate on Warsak road two unidentified militants opened fire on him.
Alam demanded of the government, Non-governmental organizations and Human rights bodies to provide protection to him and his family members.
“I am not feeling safe here”, he told freemuse.
The intensified campiagn against music, girls education and the prevailing sense of insecurity in Peshawar and its surrounding districts has not spared even hundreds of those Afghan singers and musicians who fled their country 1980s and took refuge in Pakistan. The famouse music building on the University road is now presenting a deserted look.
“Yes we fled Kabul for Peshawar, but now the situation here is more discouraging. Our business is on the decline and we feel more insecure in Peshawar than Kabul”, Says Shir Agha, an Afghan Rabab player who lived in Peshawar for 20 years but now plans to travel back to Afghanistan
- بېرته شاته